Given the protracted construction history, the site had accumulated a vast array of discarded raw materials. The design team’s first endeavour was to creatively repurpose these materials, ensuring sustainability while infusing the home with character. For instance, reclaimed wooden pieces were skilfully reimagined into bespoke doors and furniture, while hollow metal pipes were cut into circular rims and transformed into an intricate MS screen for the backyard. This ethos of repurposing set the foundation for the residence’s aesthetic and functional evolution. The spatial planning adhered to a
hierarchy of privacy:
The ground floor was conceptualized as an open, welcoming space for family interactions and guest entertainment
The upper floor housed three private rooms, offering individual sanctuaries for the family members
The basement served as a vibrant entertainment and office space, balancing work and leisure.
At the heart of the design was the family’s illustrious art collection, displayed with pride throughout the residence. A maximalist approach was embraced, weaving together vibrant colour palettes, rich textures, and layered design elements that reflected the unique narrative of each space. Every room functioned as a curated gallery, where art was not merely an accessory but an intrinsic part of the home’s identity.
A recurring motif throughout the residence was the use of wood, particularly in the half-crescent handles adorning doors and wardrobes, an element that subtly tied the interiors together. Thoughtfully integrated storage solutions and strategically placed art installations ensured that the collection remained the focal point of the design. The result was a home that evoked a sense of discovery, blending timeless elements to create an emotionally resonant environment deeply rooted in the family's journey through the years.
Wing House is more than just a residence—it is a living canvas where design, history, and personal artistry converge, celebrating a narrative that continues to evolve with time.
